Structurally similar to the misogynistic trash released by Christopher Alexander’s Anabolic Productions a decade earlier, Mason injects a false notion of female empowerment into the show, which, I guess, is meant to help make the sexual and misogynistic depravity on display here easier to swallow. If anything, it smoothes out the fantastical elements, namely that these women are doing this more for the experience than the pay cheque.

 

While Alexander’s old line was more about appealing to angry males desperate to see a girl getting screwed senseless by a room full of equally angry men, Mason steers away from that sentiment (or at least pretends to) by propping this up as being from the point of view of the female as she endeavours to push herself further than ever before sexually on-camera. Of course, this “pushing further than ever before” is really a nice way of saying “being used as a worthless punching bag/warm hole for a bunch of sexually jaded men” and includes all the usual woman-hating chestnuts like allowing themselves to be slapped around, choked (to the point of nearly passing out), spit on, verbally degraded (including being called a “cunt” and a “whore”), gaping their holes and having said holes stuffed by a succession of penises, sometimes two into a single entrance. Empowering? I guess. Maybe if your name is Christina Saunders, and you exist solely to prove that perfection is a tangible thing.

 

Cali-girl Jayden Jaymes is first up, talking to Mason while getting her make-up done. Mason prods her on why she’s doing a gangbang and her answer, conveniently devoid of all money talk, is surprisingly meditative. “I’m maturing as a sexual being,” Jayden insists, the camera panning up from her surgically enhanced boobs. Apparently years of listening to girls describing such experiences in dressing rooms, as well as participating in a “blow bang” scene six months prior (clips from “Massive Facials 3″ flash upon the screen) has taken a toll on her. Her curiosity piqued, she is desperate to experience what it would be like to try more than just mouth-on-organ sex with a room full of men. “I gave all these guys pleasure and now I want to know what that’s like,” she explains. Elucidating further on the primal nature of the experience, she describes a sort of heightened focus and a loss of control that comes from being tasked with servicing multiple partners at one time. “With that much going on, your mind sort of goes blank.” She adds, “It’s an incredible feeling not being able to think during sex.”

 

Some of her partners join her in the make-up room to chat. Her excitement is palpable. I was able to determine this because she says, “I’m excited!” about twenty friggin’ times. Danny Mountain (2011′s “Angel Face“), the Brit, enters and displays his belt, which he intends to use during the scene. Ah, how romanik.

 

Minutes before the show commences, Jayden thanks porn viewers for putting her in a gangbang film. Yeah, no problem. Who are you again? And… um… isn’t a gangbang film the last step in the progression downwards and out of the business? Anywho, she dances and preens and nervously fidgets (“Oh my god, this is so exciting!”) before joining the guys at the bottom of a winding set of stairs. The guys are Broc Adams, Criss Strokes (2011′s “Slut Puppies 5“), Danny Mountain, Erik Everhard (2001′s “Un-Natural Sex 4“), James Deen, John Strong and Jon Jon (2011′s “Spread Eagle“). Right off the bat things get rough, as Jayden flips on the “animal” switch and mauls down – deep gagging on each and every cock in sight. In between spitting up, being spit on and getting choked out (Mountain wraps the belt around he neck, at one point) she rides and sucks all the cock, eventually getting to the expected double penetration. The boys soon tire of that, and decide to take things to the next level by slipping into her pussy two at a time. “You got two cocks in you and they are stretching you open,” Deen whispers into her ear. As expected, she freaks the fuck out: “Oh my god! Oh my god!” The boys start in with the musical chairs, double-cramming her foxhole for ten straight minutes. Apparently Ms. Jaymes is enjoying the depravity because soon enough she’s arriving at her double vag-induced orgasm. “Shit, are you cumming?” Strong blurts, sounding totally surprised. Clearly he’s not used to hearing that. “I’m gonna cum on two dicks!” Jayden screeches, before doing just that. I’ll buy that bridge. Cute. They keep going with the double pussy fucking until her baby-maker is stretched wide enough to drive a truck into. No doubt, sore as hell. Afterwards, everyone sprays their loads across her face and into her mouth. She pretends to cum. It’s silly.

 

They do a post-scene interview with Jayden who is cleaned up and glowing. She describes her loss for words after the scene on being “pussy drunk” and admits she wants to do it again. She talks about getting double fucked in her pussy, and insists that her pussy is still tight. Yeah, keep telling yourself that, Jayden. Before parting company, Jayden adds that she will most likely masturbate to the scene.

 

Next up is Dana DeArmond (2011′s “10 Things I Hate About Love“) whom I absolutely love. She is my sole reason for wanting to see this. She describes herself in a pre-scene make-up room interview with Mason, as being up to the challenge. She appears extremely nervous, more so than Jayden, and admits she’s mainly doing it for her fans and a little bit for herself. She looks upon the gang bang as just a part of the evolution of her sexuality, which also includes doing the ‘full tour’ (a porn term used to describe a girl that consents to anal sex, double penetration, double vaginal penetration and double anal penetration, all in a single scene; or, as I call it, the Audrey Hollander special). When asked by Mason if she’s nervous, Dana admits that she is and is glad she is because, as she explains, when you lose that nervousness then there’s something wrong with you as a person. Profound. Kind of reminded me of that Billy Zane/Tom Berenger scene in Luis Llosa’s “Sniper“, you know the line:  ”What you’re feeling now ain’t the worst pain. The worst thing is not feeling the hurt anymore.” Kind of like that, but a little bit different.

 

Segueing into the scene, Dana shakes her booty (yes!) and dances. She saunters into a room where seven Viagra-fueled slugs are waiting. They are Alex Gonz (2010′s “Don’t Tell My Wife I Assfucked The Babysitter 1“), Broc Adams, James Deen (2011′s “This Ain’t Ghostbusters XXX“), John Strong, Jon Jon (2011′s “Don’t Tell My Wife I Assfucked The Babysitter 6“), Ramon Nomar (2011′s “Babysitters Gone Bad“) and Toni Ribas (2010′s “Kayden’s College Tails“). They start in with the deep-gagging stuff and within 10 minutes, Dana is getting double penetrated across a small white couch. They are relentless and Dana is fast looking a little worse for wear, blathering on incomprehensibly about something or other. About twenty minutes in, John Strong moves to raise the stakes, slipping inside Dana’s pussy alongside Roman Nomar, who is already balls deep in there rutting away. It’s a tight fit and Dana, who did it only one other time previous, seems to be having some difficulty adjusting. “Do you like it?” Strong asks her. “I don’t know. It’s fucking weird!” she replies.

 

Not long after they move to double anal Ms. DeArmond. Things hit a fever-pitch as Dana gears down into full animal mode, down for whatever perverted shit they want to throw her way.  The boys take to alternating between double cramming her pussy and double cramming her ass with intermittent stops to let Dana do her ass-to-mouth and, yuck, foot sucking chores. “Don’t be shy,” Dana tells the boys, who are stuck trying to figure out which hole they want to pulverize. At one point, following a savage double pounding, Dana appears ready to orgasm and the boys, as a group, urge her not to hold back. She eventually lets go. To finish, the guys let go, spraying off into her open mouth and across her face. She practically attacks each cock with one guy, Nomar, actually having to push her away for fear she might rip his cock off his body.

 

Following, Dana, looking like she’s been run over by a train, jokes that they should have bought her dinner first and explains to Mason how she earned their semen. She worked for it. She deserved it. Who’s arguing with you, Dana? In a post-scene interview, scheduled the next day, Dana arrives at the Elegant Angel backlot in a nice dress. She tells Mason that she’s trying for classy as she has some errands to run later in the day. Dana, you don’t have to try to be what you already are. She describes her feelings about the previous day, becoming very emotional as she plunges the depths of her psyche. “I felt more like a lady than I ever have. I had extreme empowerment,” she says, sounding sincere. As a submissive, she explains, she felt it strange to be the one in complete control and had to get used to the notion that what was driving the scene was seven guys working to give her the maximum amount of pleasure possible. She tears up (seriously!) while describing what the experience meant to her, happy to define it in almost matriarchal terms: “It’s like having a baby inside of me that I just want to share.” Huh? I had a sense that maybe, just maybe, something else was going on here just beneath the surface. Couldn’t quite put my finger on it but I’ll give it a shot. Utilizing the earlier mentioned Berenger/Zane scene from “Sniper“: “When the “rush” is over, it hurts. Doesn’t it?”

 

There’s a blooper/gag reel played during the ending credit scroll. It’s kinda funny. Alex Gonz is caught fingering Dana’s ass. When asked by Mason what he’s doing, he replies that he’s just introducing himself. “Invite her out,” she jokes. Dana replies back, “It’s so romantic.” Also, Mason discusses how she refused to shoot Jayden earlier in her career because she had heard that she was difficult to work with. “You’re the coolest girl, I don’t understand.” Mason tells Jayden, who appears slightly embarrassed.

No condoms.

Date of Production: 7/30/2011. Release Date: 9/2/2011

Other things noted while watching: Both gals are barefoot for the majority of their scenes.

Cast & Crew

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